Have you met anyone recently who might loathe the very core of you?

Kay Eiffel : As Harold took a bite of Bavarian sugar cookie, he finally felt as if everything was going to be ok. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true. And, so it was, a wristwatch saved Harold Crick.

Plot:

Harold Crick (Will Farrell) is an IRS auditor who almost compulsively measures, quantifies and rationalizes his life. Suddenly, he becomes aware of a voice narrating his life, "accurately and with a better vocabulary." The voice is that of a writer we learn is struggling with writer's block (Emma Thompson), mostly about the best way to make Harold die. When Harold overhears his impending doom, he takes action, and eventually makes his way to a professor of literary theory (Dustin Hoffman), who helps him understand the implications of the narrative life he is leading. The main story line seems to be around a woman he is auditing, played by Maggie Gyllenhaal. Realizing he could die at any moment, Harold begins to break free of his limited, orderly life, and joins Gyllenhaal in a romantic relationship. He tracks down Thompson and confronts her with the truth: if she writes about his death, then he will die. But Hoffman is convinced the novel must be written as intended, and Thompson herself is ambivalent. Crick himself reads the novel and encourages her to keep the original ending, which would kill him.